[65] There was also a long-established warehouse party subculture based around the sound system scene. We also offer a very large repository of free birthday songs you can use in your projects.. Despite this fascination with retro music technology, according to Derrick May "there is no recipe, there is no keyboard or drum machine which makes the best techno, or whatever you want to call it. So Frankie Knuckles started using the 909 at his shows at the Powerplant. Propellerhead then made it freely available for download from a website called the "ReBirth Museum". The move away from EBM had started in Berlin when acid house became popular, thanks to Monika Dietl's radio show on SFB 4. [135] In the rest of Europe, due in some part to the inspiration of traveling sound systems from the UK,[135] rave enjoyed a prolonged existence as it continued to expand across the continent. This process will usually continue until a suitable multi-track arrangement has been produced.[168]. [26] YMO's song "Technopolis" (1979), a tribute to Tokyo as an electronic mecca, is considered an "interesting contribution" to the development of Detroit techno, foreshadowing concepts that Atkins and Davis would later explore with Cybotron. Sign In Listen Now Browse Radio Search Sign In Pure Techno / Minimal Vol 19 Various Artists Techno … Mojo used to play a lot of funk just to be different from all the other stations that had gone over to disco. [121] By 1993, Detroit acts such as Model 500 and UR had made explicit references to the genre, with the tracks "Jazz Is The Teacher" (1993)[108] and "Hi-Tech Jazz" (1993), the latter being part of a larger body of work and group called Galaxy 2 Galaxy, a self-described jazz project based on Kraftwerk's "man machine" doctrine. Piano. This ranged from relatively pop oriented acts such as Moby[98] to the distinctly anti-commercial sentiments[99] of Underground Resistance. Posté le 02/07/2011 à 15h33 par vinc3. "Strings of Life" appears on compilations titled. [164] Thus techno inherits from the modernist tradition of the so-called Klangfarbenmelodie, or timbral serialism. Artists can now also individuate their sound by creating personalized software synthesizers, effects modules, and various composition environments. However, the public really wasn't ready for it until about '85 or '86. By 1992 DJ Dag & Torsten Fenslau were running a Sunday morning session at Dorian Gray, a plush discothèque near the Frankfurt airport. The new agers offered a readymade network of countryside festivals that were hastily adopted by squatters and ravers alike. [143], In recent years, the publication of relatively accurate histories by authors Simon Reynolds (Generation Ecstasy, also known as Energy Flash) and Dan Sicko (Techno Rebels), plus mainstream press coverage of the Detroit Electronic Music Festival, have helped to diffuse the genre's more dubious mythology. [127] Following this the notion of an intelligent or Detroit inspired pure techno aesthetic began to take hold. Create New Account. Orchestration. They were all into playing Italian imports; 'No UFOs' was the only U.S.-based independent record that they played. With a marketing campaign targeting under-35s, Ford used "Detroit Techno" as a print ad slogan and chose Model 500's "No UFO's" to underpin its November 2000 MTV television advertisement for the Ford Focus. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), In 1993, a number of new "intelligent techno"/"electronica" record labels emerged, including New Electronica, Mille Plateaux, 100% Pure (1993) and Ferox Records (1993). One of the few real alternatives then was The Bruckenkopf in Mainz, underneath a Rhine bridge, a venue that offered a non-commercial alternative to Frankfurt's discothèque-based clubs. [10], After the success of house music in a number of European countries, techno grew in popularity in the UK, Germany, Belgium and the Netherlands. People would complain that there's no funk, no feeling in techno anymore, and the easy escape is to put a vocalist and some piano on top to fill the emotional gap. Nitzer Ebb was an Essex band formed in 1982, which also showed funk and electronic dance music influence on their sound around this time. In the Netherlands a notable venue is the Gashouder in Amsterdam where the infamous Awakenings party's are held and the Awakenings festival in Spaarnwoude. That same year, the Balearic party vibe associated with Ibiza-based DJ Alfredo Fiorito was transported to London, when Danny Rampling and Paul Oakenfold opened the clubs Shoom and Spectrum, respectively. [121][122] This lead was followed by a number of techno producers in the UK who were influenced by both jazz and UR, Dave Angel's "Seas of Tranquility" EP (1994) being a case in point,[123][124] Other notable artists who set about expanding upon the structure of "classic techno" include Dan Curtin, Morgan Geist, Titonton Duvante and Ian O'Brien. Even the dance sounds of Chicago also had a German connection, as it was in Munich that Giorgio Moroder and Pete Bellotte first produced the 1970s Eurodisco synthpop sound.[89]. [140][141][142], The R&B artist, Missy Elliott, exposed the popular music audience to the Detroit techno sound when she featured material from Cybotron's Clear on her 2006 release "Lose Control"; this resulted in Juan Atkins' receiving a Grammy Award nomination for his writing credit. In 1988, following the UK release of the compilation Techno! The New Dance Sound of Detroit,[71][72] an album compiled by ex-Northern Soul DJ and Kool Kat Records boss Neil Rushton (at the time an A&R scout for Virgin's "10 Records" imprint) and Derrick May, introduced of the word techno to UK audiences. [172] Such prices have held in the 12 years since the article was published, this can be evidenced by a quick search on eBay. By the early 1990s Sven Väth had become perhaps the first DJ in Germany to be worshipped like a rock star. This article is about the genre of music. That's why it came off so fresh and innovative, and that's why...we got the best of the best. This syncopated-feel (funkiness) distinguishes the Detroit strain of techno from other variants. [170], The TR-808 and TR-909 drum machines have since achieved legendary status, a fact that is now reflected in the prices sought for used devices. Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Demers, J. For the fictional character, see, According to Butler (2006:33) use of the term EDM "has become increasingly common among fans in recent years. Efforts to regress further into the past, in search of earlier antecedents, entails a further regression, to the sequenced electronic music of Raymond Scott, whose "The Rhythm Modulator," "The Bass-Line Generator," and "IBM Probe" are considered early examples of techno-like music. See more of It Is Techno on Facebook. [41][42], Atkins used the term techno to describe Cybotron's music, taking inspiration from Futurist author Alvin Toffler, the original source for words such as cybotron and metroplex. Short excerpt from special on German "Tele 5" from Dec. 8, 1988, Snobs, Brats, Ciabattino, Rafael, and Charivari are mentioned in, Dr. Rebekah Farrugia paraphrasing Derrick May in a review of. "[84], In 1982, Talla 2XLC had begun to use the term techno as a genre name for instrumental electronic dance music at Frankfurt's City Music record store, when he started to categorize certain tracks by artists such as New Order, Depeche Mode, Kraftwerk, Heaven 17 and Front 242 under the heading techno, to sum up all technologically created dance music. Related Pages. [102] This first wave of Detroit expatriates was soon joined by a number of up-and-coming artists, the so-called "second wave", including Carl Craig, Octave One, Jay Denham, Kenny Larkin, and Stacey Pullen, with UR's Jeff Mills, Mike Banks, and Robert Hood pushing their own unique sound. [104][105] In Berlin, following the closure of a free party venue called Ufo, the club Tresor opened in 1991. "At the time, [Atkins] believed ["Techno City"] was a unique and adventurous piece of synthesizer funk, more in tune with Germany than the rest of black America, but on a dispiriting visit to New York, Juan heard Afrika Bambaataa's 'Planet Rock' and realized that his vision of a spartan electronic dance sound had been upstaged. This was back when the Powerplant was open in Chicago, but before any of the Chicago DJs were making records. Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. Home Security Company. & Broughton, F. (2014). Inscrit le 17/02/2008. New York: Grove Press, Chapter 7, paragraph 48 (EPUB. A Sound on Sound review of the RB-338 V2 in November 1998 noted that Rebirth had been called "the ultimate techno software package" and mentions that it was "a considerable software success story of 1997". It was like something you can't imagine, the kind of power and energy people got off that record when it was first heard. Both the early German techno scene from the early 80's, the so-called "Frankfurt tape scene" [19] and the Detroit techno scene from the late 80's were heavily influenced by the work done by the German pioneers during the 70's. "[161] In 2008, a tape from the mid-to-late 1960s by the original composer of the Doctor Who theme Delia Derbyshire, was found to contain music that sounded remarkably like contemporary electronic dance music. [174] In America Keyboard Magazine asserted that ReBirth had "opened up a whole new paradigm: modeled analog synthesizer tones, percussion synthesis, pattern-based sequencing, all integrated in one piece of software". Interview with Detroit producer Alan Oldham hosted at. In fact, they were one of the main reasons why disco didn't really grab hold in Detroit in '79. "[163] Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters, but the design of synthetic timbres, and the creative use of music production technology in general, are important aspects of the overall aesthetic practice. [89] After the Berlin Wall fell on 9 November 1989, free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established. 2020. Progressive House Electro House Minimal / Deep Tech … [150] Around 1980, the members of YMO added synthesizer backing tracks to idol songs such as Ikue Sakakibara's "Robot", and these songs were classified as 'techno kayou' or 'bubblegum techno. [77], At some point tension over "who defines techno" arose between scenes in Frankfurt and Berlin. [24] May has commented that he considered his music a direct continuation of the European synthesizer tradition. According to Wolle it was an "out and out rejection of disco values," instead they created a "sound storm" and encouraged a form of "dance floor socialism," where the DJ was not placed in the middle and you "lose yourself in light and sound. Dario Sorano - Rat Race (Mechanic Slave Remix) Hybrid Rec! [137], By the end of the 1990s, a number of post-techno [138] underground styles had emerged, including ghettotech (a style that combines some of the aesthetics of techno with hip-hop and house music), nortec, glitch, digital hardcore, the so-called no-beat techno,[139] and electroclash. Unlike other forms of electronic dance music that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such strictures are often ignored in favor of timbral manipulation alone. [39], In the early 1980s, Atkins began recording with musical partner Richard Davis (and later with a third member, Jon-5) as Cybotron. View author portfolio . Many of these groups found audiences easily and were often centered around squats in cities such as Amsterdam and Berlin.[135]. [57] It became May's best known track, which, according to Frankie Knuckles, "just exploded. Listen to Technocat 2000 - EP by LAGOS on Apple Music. Bigbeat Artist Track Album Genre. Prev; Next [5][73] The compilation's working title had been The House Sound of Detroit until the addition of Atkins' song "Techno Music" prompted reconsideration. Exploring Electronic and Techno from the 2000s . [71], Commercially, the release did not fare as well and failed to recoup, but Inner City's production "Big Fun" (1988), a track that was almost not included on the compilation, became a crossover hit in fall 1988. Subsequently, Atkins taught May how to mix records, and in 1981, "Magic Juan", Derrick "Mayday", in conjunction with three other DJ's, one of whom was Eddie "Flashin" Fowlkes, launched themselves as a party crew called Deep Space Soundworks[33][34] (also referred to as Deep Space). Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio … Atkins also mentions that "around 1980 I had a tape of nothing but Kraftwerk, Telex, Devo, Giorgio Moroder and Gary Numan, and I'd ride around in my car playing it. LOG IN. When 'Knee Deep'[32] came out, that just put the last nail in the coffin of disco music. The following year (1988) saw acid house making as significant an impact on popular consciousness in Germany as it had in England. In mid-1988, developments in the Detroit scene led to the opening of a nightclub called the Music Institute (MI), located at 1315 Broadway in downtown Detroit. "[87], As the techno sound evolved in the late 1980s and early 1990s, it also diverged to such an extent that a wide spectrum of stylistically distinct music was being referred to as techno. Cosgrove 1988b. By the mid 2000s a number of software-based virtual studio environments had emerged, with products such as Propellerhead's Reason and Ableton Live finding popular appeal. Techno is a genre of electronic dance music (EDM) that is characterized by a repetitive four on the floor beat which is generally produced for use in a continuous DJ set.The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm). One response came in the form of so-called minimal techno (a term producer Daniel Bell found difficult to accept, finding the term minimalism, in the artistic sense of the word, too "arty"). Techno Perfect for sport, fitness, energetic, hip-hop, rap, rally, racing, dance, urban videos, youtube, advertising and videohive!) As the price of sequencers and synthesizers has dropped, so the experimentation has become more intense. The resulting Detroit sound was interpreted by Derrick May and one journalist in 1988 as a "post-soul" sound with no debt to Motown,[52][53] but by another journalist a decade later as "soulful grooves" melding the beat-centric styles of Motown with the music technology of the time. [94] In the same period, German DJs began intensifying the speed and abrasiveness of the sound, as an acid infused techno began transmuting into hardcore. His strong influence on techno music comes from the year 2000 and si. follow: Album Only ... DJ TOP 10s; GENRES. [55] May famously described the sound of techno as something that is "...like Detroit...a complete mistake. [113] It is thought that Robert Hood, a Detroit-based producer and one time member of UR, is largely responsible for ushering in the minimal strain of techno. Other influences on the development of this style were European Electronic Body Music (EBM) groups of the mid-1980s such as DAF, Front 242, and Nitzer Ebb. 1, "Various - Techno! [117] This led to increased sophistication in the use of both rhythm and harmony in a number of techno productions. Electronic; House; Trance; 40. In some sense, as a result of technological innovation, the DIY mentality that was once a core part of dance music culture[185][186] is seeing a resurgence.[187][188]. Mechanic Slave Under the synonym Mechanic Slave … As the local scene grew in popularity, DJs began to band together to market their mixing skills and sound systems to clubs that were hoping to attract larger audiences. It, like, ignited our imagination!". [107], Although eclipsed by Germany, Belgium was another focus of second-wave techno in this time period. [dubious – discuss] The use of motivic development (though relatively limited) and the employment of conventional musical frameworks is more widely found in commercial techno styles, for example euro-trance, where the template is often an AABA song structure.[165]. In 1988, after the Omen opened, the Frankfurt dance music scene was allegedly dominated by the club's management and they made it difficult for other promoters to get a start. In general, techno is very DJ-friendly, being mainly instrumental (commercial varieties being an exception) and is produced with the intention of its being heard in the context of a continuous DJ set, wherein the DJ progresses from one record to the next via a synchronized segue or "mix. Juan Atkins also believes that the first acid house producers, seeking to distance house music from disco, emulated the techno sound. This is essentially a disco (or even polka) drum pattern and is common throughout house and trance music as well. Atkins has described earlier synthesizer based acts like Kraftwerk as techno, although many would consider both Kraftwerk's and Juan's Cybotron outputs as electro. When Kraftwerk first toured Japan, their music was described as "technopop" by the Japanese press. More similar items. House Deep House Soulful House Afro House Nu Disco / Indie Dance Jackin House Tech House Techno Classic House Soul / Funk / Disco Lounge / Chill Out Afro / Latin / Brazilian Broken Beat / Nu-Jazz. Prices hit a new low around 1988, when you could often pick up a second-user 909 for under £200—and occasionally even under £100. The high point of this free party period came in May 1992 when with less than 24 hours notice and little publicity more than 35,000 gathered at the Castlemorton Common Festival for 5 days of partying. & Levaux, C. (2018). Most web uses. by Yukihiro Takahashi", "ReBirth: virtual synthesizer and drum machine iPad app - Propellerhead", "23rd Annual International Dance Music Awards Nominees & Winners", "The 10 best clubs in Germany that aren't in Berlin", "At This Techno Club, the Party Is Political", "From the Autobahn to I-94: The Origins of Detroit Techno and Chicago House", https://en.wikipedia.org/w/index.php?title=Techno&oldid=998677508#Divergence, Articles that include images for deletion from January 2021, Pages incorrectly using the quote template, Articles with disputed statements from January 2019, Creative Commons Attribution-ShareAlike License. It became natural for us to incorporate Detroit techno into our commercials after we discovered that young people are embracing techno." DJ skills : the essential guide to mixing and scratching. [16] Initially developed by Giorgio Moroder in a non-vocal version, it became the vocal hit track "I feel love" when Donna Summer decided to cooperate with Giorgio Moroder for the vocals. Derrick's parents had moved there, and he was making regular trips between Detroit and Chicago. I thought it was time for a return to the original underground. Musicians all over the country are now garrotting themselves with MIDI leads as they remember that 909 they sneered at for £100—or worse, the one they sold for £50 (did you ever hear the one about the guy who gave away his TB-303 Bassline—now worth anything up to £900 from true loony collectors—because he couldn't sell it? View Past Performances. [19] The track is recognized widely as a source for later developments in techno. The New Dance Sound of Detroit, the term came to be associated with a form of electronic dance music produced in Detroit. The elevator's stalled between the pharmacy and the athletic wear store. We also offer a very large repository of free birthday songs you can use in your projects. Elements of Life. In the same period, close to Detroit (Windsor, Ontario), Richie Hawtin, with business partner John Acquaviva, launched the influential imprint Plus 8 Records. Both clubs were praised for their late opening hours and party-focused clientele. The venue was secured by George Baker and Alton Miller with Darryl Wynn and Derrick May participating as Friday night DJs, and Baker and Chez Damier playing to a mostly gay crowd on Saturday nights. Butler, M. (2006). [65], By 1988, house music had exploded in the UK, and acid house was increasingly popular. A number of New York producers were also making an impression at this time, notably Frankie Bones, Lenny Dee, and Joey Beltram. Acid house party fever escalated in London and Manchester, and it quickly became a cultural phenomenon. [153], The popularity of Euro disco and Italo disco—referred to as progressive in Detroit—and new romantic synthpop in the Detroit high school party scene from which techno emerged[154] has prompted a number of commentators to try to redefine the origins of techno by incorporating musical precursors to the Detroit sound as part of a wider historical survey of the genre's development. [4][5] Detroit techno resulted from the melding of synthpop by artists such as Kraftwerk, Giorgio Moroder and Yellow Magic Orchestra with African American styles such as house, electro, and funk. [166] In its simplest form, time is marked with kicks (bass drum beats) on each quarter-note pulse, a snare or clap on the second and fourth pulse of the bar, with an open hi-hat sound every second eighth note. [11] In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, ambient, and dub techno had developed. This page was last edited on 6 January 2021, at 14:40. [37], Of the four individuals responsible for establishing techno as a genre in its own right, Juan Atkins is widely cited as "The Originator". Musician/Band . [31] Atkins has noted: He [Mojo] played all the Parliament and Funkadelic that anybody ever wanted to hear. We had no inhibitions, no standards, we just did it. The growth of techno's popularity in Europe between 1988 and 1992 was largely due to the emergence of the rave scene and a thriving club culture. [5][74][75], Derrick May views this as one of his busiest times and recalls that it was a period where he, was working with Carl Craig, helping Kevin, helping Juan, trying to put Neil Rushton in the right position to meet everybody, trying to get Blake Baxter endorsed so that everyone liked him, trying to convince Shake (Anthony Shakir) that he should be more assertive...and keep making music as well as do the Mayday mix (for the show Street Beat on Detroit's WJLB radio station) and run Transmat records. [90], In 1991 a number of party venues closed, including Ufo, and the Berlin Techno scene centered itself around three locations close to the foundations of the Berlin Wall: Planet, E-Werk,[91] Bunker, and the long-lived Tresor. 10,000 copy limit for a downloaded or physical end product. It was "the pioneers of Detroit techno [who] were making the 909 the rhythmic basis of their sound, and setting the stage for the rise of Roland's vintage Rhythm Composer." Forever Faithless: The Greatest Hits. He performed centre stage with his fans facing him, and as co-owner of Omen, he is believed to have been the first techno DJ to run his own club. [88] In 1989 German DJs Westbam and Dr. Motte established the Ufo club, an illegal party venue, and co-founded the Love Parade. Certain electro-disco and European synthpop productions share with techno a dependence on machine-generated dance rhythms, but such comparisons are not without contention. Atmospheric Techno. Forgot account? 2020. Roland's now near-legendary TR-909 is such an example—released in 1984 with a retail price of £999, they now fetch up to £900 on the second-hand market! Having got the drum machine and the sampler, they could make their own tunes to play at parties. Exploring Techno from the 2000s . In 1988, the music played at warehouse parties was predominantly house. Techno Etudes (2000) Chester Music Ltd (World) Commissioned by Tomoko Mukaiyama. Yo soy Summer. Once a single loop-based arrangement has been generated, a producer may then focus on developing how the summing of the overdubbed parts will unfold in time, and what the final structure of the piece will be. Only what is essential to make people move". [152] Juan Atkins himself said "In fact, there were a lot of electronic musicians around when Cybotron started, and I think maybe half of them referred to their music as 'techno.' One of the most notable was the ReBirth RB-338, produced by the Swedish company Propellerhead and originally released in May 1997. "[56], One of the first Detroit productions to receive wider attention was Derrick May's "Strings of Life" (1987), which, together with May's previous release, "Nude Photo" (1987), helped raise techno's profile in Europe, especially the UK and Germany, during the 1987–1988 house music boom (see Second Summer of Love). [96], Changes were also taking place in Frankfurt during the same period but it did not share the egalitarian approach found in the Berlin party scene. Some of the drum programming employed in the original Detroit-based techno made use of syncopation and polyrhythm, yet in many cases the basic disco-type pattern was used as a foundation, with polyrhythmic elaborations added using other drum machine voices. or. This trio released a number of rock and electro-inspired tunes,[40] the most successful of which were Clear (1983) and its moodier followup, "Techno City" (1984). [118] Manchester (UK)-based techno act 808 State helped fuel this development with tracks such as "Pacific State"[119] and "Cobra Bora" in 1989. In the early 1990s a post-rave, DIY, free party scene had established itself in the UK. The Best Techno Albums of 2000. CONTACT | HELP | TERMS OF USE | PRIVACY POLICY | FAQ | LIST OF ARTISTS In the 2010s, Germany continues to have a lively techno scene with many notable techno clubs also outside of Berlin including Gewölbe in Cologne, Institut für Zukunft in Leipzig, MMA Club and Blitz Club in Munich, Die Rakete in Nuremberg, Robert Johnson in Offenbach am Main and White Noise in Stuttgart. [17] It was released during the summer of 1977 (July 2, 1977)[18] and became an instant hit in both the USA and multiple European countries. So when I came out with 'No UFO's,' he took copies out to Chicago and gave them to some DJs, and it just happened. The Berlin scene offered an alternative and many began embracing an imported sound that was being referred to as Techno-House. [8][9] The music produced in the mid to late 1980s by Juan Atkins, Derrick May, and Kevin Saunderson (collectively known as the Belleville Three), along with Eddie Fowlkes, Blake Baxter, James Pennington and others is viewed as the first wave of techno from Detroit. [1], In attempting to sum up the changes since the heyday of Detroit techno, Derrick May has since revised his famous quote in stating that "Kraftwerk got off on the third floor and now George Clinton's got Napalm Death in there with him. [134] Prominent among the sound systems operating at this time were Exodus in Luton, Tonka in Brighton, Smokescreen in Sheffield, DiY in Nottingham, Bedlam, Circus Warp, LSDiesel and London's Spiral Tribe. Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance.[12][13][14][15]. The Detroit sound exerted an influence on widely differing styles of electronic music, yet it also maintained an identity as a genre in its own right, one now commonly referred to as "Detroit techno". During the 1980s, the most common catchall term for EDM was. Both night spots quickly became synonymous with acid house, and it was during this period that the use of MDMA, as a party drug, started to gain prominence. [69][70], The mid-1988 UK release of Techno! Graham Massey has discussed the use of unusual meters in 808 State's music commenting online on June 18, 2004, that: Anker M., Herrington T., Young R. (1995), Track listing for the Warp Records 1992 compilation, "Of all the terms devised for contemporary non-academic electronic music (the sense intended here), 'electronica' is one of the most loaded and controversial. Download and listen to new, exclusive, electronic dance music and house tracks. Available for Sale Buy. Simon Reynolds, in an interview with former. [78] According to May, ZTT label boss Trevor Horn had envisaged that the trio would be marketed as a "black Petshop Boys." Sistemas Automáticos y Equipos de Seguridad. Bush, Calvin, Techno - The Final Frontier?. The Free Music Archive offers free downloads under Creative Commons and other licenses. In exploring Detroit techno's origins writer Kodwo Eshun maintains that "Kraftwerk are to techno what Muddy Waters is to the Rolling Stones: the authentic, the origin, the real. Charlotte de Witte @ DJ Mag Alternative Top 100 DJs Winner Set, Portugal Pjanoo (670.6k) Oct. 09.
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